Selection of infographics, inspired by films

I want to look more at infographics, and these seem like a really good way of doing it. Taking the events of films and mapping them, almost like a timeline. This Pulp Fiction one is pretty interesting the way they've used a line for each of the characters and displays their stories.



Inception, seems to be quite a complicated film to some people so using infographics to explain it to people seems like a good idea. Although I've seen inception a couple of times and I don't think I'd understand what this one was trying to say unless I'd understood the film to begin with. I agree that it's clever and a good illustration of the story, but I wonder whether the complicatedness of it is helpful or not. In comparison to the inception infographic below, I know which one I find easier to understand.



This is brilliant. And apparently it actually works. I can't get my head around it, so I'll stick to the cheating method of winning by slightly delaying my responses. But still, this is awesome.



As is this. I really love these examples that clear and funny at the same time.

Flowcharts

I've seen a few of these flow charts and I think they're really addictive. I can't help doing it once, and then start again and take different routes until I've read the entire thing. Some of the stuff on them is so funny as well, it seems like the perfect opportunity to take the piss out of people. Anyway, I was considering for one of my briefs to take problems from forums etc which are renowned for being ridiculous and try to answer them in a series of these flow charts, but I'm thinking that maybe they could be a good way to show my investigations of chance instead.

Update/personal identity

I've been doing a few sketches etc...but I'll have to upload them when I have access to a scanner or I can find my camera lead. Anyway, I've been developing the type for my personal identity. I'm pretty happy with what I've been working on. I decided to continue removing serifs from the typeface I was using before. And then been looking at the shape of my name.




I started to think about how I could work the name into a more square shape so that it might be easier to apply to think like business cards etc so I tried to fill in the negative space. But I don't think it looks right.


Adding a drop shadow to the original type has given it more depth and I think this could suffice for the website. It's probably not the quirky sort of idea that I was hoping to get but I think if I keep the identity simple I might be able to have more fun with what I start applying it to.

self promotion

I think rather than have an image based logo, I'd like to just use my name. At the moment I'm just playing with ideas/type that is more my taste rather than thinking about how to communicate what I do.





Here I've done a botch job of removing some of the serifs (basically all but the c) to see how this changes the weighting and the spacing. I've also tried to simplify the word into just simple shapes so that I can print them out and start to play with it a bit more on paper and develop the lettering more.




I wanted to see what my initials would look like together if I were to use this typeface. This is basically because I want to buy a wax seal for sealing post, and if I'm going to get it cast two intials will work better.

I quite like the idea of using a flourish to replace the dot of the 'i', as it helps to join the words together more. Although here, the spacing is still all wrong.

I found it really difficult to find an upper-case E that I actually liked so for now I'm working with the lower-case. I've been trying to work out the juxtaposition between my two names so that it looks more balanced. With the m's both being next to eachother it starts to look quite heavy, especially in comparison with 'price'.

I then thought about using this type face, it seems quite quirky/fun but avoids looking cheap. There are a few things that annoy me about the typeface though, just as the stem of the 'i' being shortened and also the weight of some of the lines. I decided to use a mixture of the regular and the alternative fonts from the family as a basis.



I started by looking at script typefaces. Previous feedback suggested that I should avoid doing something too dry and so I'm wary of this. A lot of the script typefaces look a bit 'floristy' which doesn't really reflect me. I think the key there is to find a weight that works.

Self Assessment July 2010

I'm not particularly pleased with the commitment that I have shown the course this last year. During the last brief, I felt that I was finally starting to become more enthusiastic about the work and starting to see the potential in 'the range'. At the moment I'm using my summer to put together my self promotion, communicating with design studios and for dissertation research. It's also a chance for me to think about how I want to approach my third year, hopefully with a lot more energy.

I've now managed gain a couple of weeks at Holmes-Wood for the beginning of September so am looking forward to learning more about how the studio works.

Holmes-Wood

Before going to HW I came up with a few questions to ask them. Since there were a few examples of their work on their website which involved interactive design I thought it might be a good chance to try and get some research done for my dissertation. I wanted to ask them about the budget constraints and the role of interactive design for public spaces. I also wanted to ask whether technology such as the iPhone and iPad has had an effect on the want for interactive design for museums etc. When I was actually there it turns out that the interactive parts of their displays aren't designed by HW and so I wasn't really able to find out the information I wanted for my dissertation research.

I did however find out a lot about workload and the way the studio is run. I also got the chance to discuss their work/design decisions and got a lot of portfolio feedback too. The discussion was between myself and two of the graphic designers; Victoria and Matteo

The way HW works is a lot different to NBD and so already the comparison between them is quite a positive thing to see. Because rather than feeling the need to change the way I work to try and fit into a certain studio it seems as though it's probably better to develop my own design practice and at the same time be looking for studios who work in a way that I could fit into.

Firstly HW:

The design team separate work depending on workload rather than specialisation's. There is a mix of editorial, way finding and maps. This is really different to NBD who work mainly with type.

HW don't work with exhibition designers but they do work with architects, sound and lighting specialists. Freelancers are then commissioned for coding and illustration.

To test designs they will always print to scale else everything is based on assumptions. It needs to be printed to scale to allow for analysis. They also do have some guidelines to help.

When doing floor plans and maps etc they are given floor plans of the spaces but it's also important for them to visit the places during the design to test to ensure the designs work. Especially with signage systems. Victoria mentioned a quotation which was 'a sign shouldn't be noticed but just inform' which is quite interesting to think about.

The projects vary in length, they are working on one at the moment which has a duration of 5 years and they are working alongside engineers to help with the mechanics of the signs.

To help project manage HW have meetings on Monday mornings to discuss workload and deadlines. And to set deadlines for the end of the week. If someone has a deadline coming up then they'll all work together.

They do work across both print and screen, however for screen they will design the layouts etc and then bring someone else in to code everything.

The 'red' project was something I was quite interested in, it started at Christmas with bags sent out to clients and they started to receive photos back. It wasn't planned as an interactive piece of design but that's how it's evolved and it's seen as a good way to keep in touch with clients.

Every 3 or 4 months they rotate their design roles. Also every 3 or 4 months exhibitions change and so everything needs updating on maps, colours, signs etc. So it's important that the initial designs can be adapted.

To gain clients HW go to pitches/tenders but clients also approach the studio.

Portfolio Advice:

Try to aim to include about 6 projects

Include another larger project

Include projects that aren't finished yet, end your portfolio with something you're working on

Good to start with a project which relates to the studio you're showing it to

Perhaps include a 'mood board' page which explains what they have at the moment (e.g Nat Hist), what's not working, why you're changing it

Show some of the process/other options of designs.

Re-order the pages of the projects so that the final product shots come last.

I'm now in the process of trying to sort out a placement with HW for over the summer.